The KATSEYE tour drama explained, from ticket chaos to backlash over their young fans

There’s been a LOT going on

KATSEYE’s latest tour date has descended into chaos after people claimed they lost hundreds of pounds when they were refused entry because of an age restriction in the standing area.

Some people reportedly only discovered that under-16s were not allowed into the relevant standing section when they arrived outside the Manchester venue, leaving them scrambling to work out what to do with their tickets.

Around 500 people were reportedly outside the venue’s ticket office trying to sort out similar problems, as fans attempted to change their tickets or work out whether they could get into the show at all.

The situation has prompted plenty of anger online, with some fans arguing that the age restriction should have been made clearer when tickets were originally purchased. Others, however, have pointed out that Ticketmaster had sent multiple warnings about the restrictions before the concert.

One person watching the drama unfold wrote on social media: “Second hand embarrassment for the fully grown adults screaming at co op live minimum wage workers after their children didn’t get let in to standing at katseye , if only they had been sent 5 emails and been told at the time of booking it was 16+ :/”

Another fan questioned why KATSEYE’s young audience has become such a talking point, writing: “Why is everyone so freaked out about Katseye having a young fan base, didn’t we all listen to girl groups in elementary school”.

KATSEYE’s young fanbase has already sparked controversy

The group has already faced backlash during its London shows at the O2 Arena, with the performances prompting questions about whether KATSEYE’s adult-leaning image matches the age of some of its biggest fans.

KATSEYE has a particularly young following, and videos from the O2 shows circulated online showing children watching performances featuring highly suggestive choreography.

Some parents appeared shocked by what they were seeing, while others questioned whether the group’s branding was appropriate for an audience that includes children as young as eight and nine.

The controversy has highlighted an increasingly awkward gap between the way KATSEYE has been marketed and the reality of its audience.

The six-member group has been positioned by its corporate backers, HYBE America and Geffen Records, as a new take on the classic girl group. Its sound and image combine Western pop with the highly choreographed performance style associated with K-pop.

That has helped KATSEYE build a huge and notably young following, but some parents have apparently been expecting something much closer to a wholesome, Disney-style pop act. Instead, their arena shows have included a much more grown-up performance style, creating an increasingly heated debate among fans and parents.

KATSEYE is also down to just four members on tour

 
 
 
 
 
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A post shared by Sophia Laforteza (@sophia_laforteza)

There has been even more drama surrounding the group during its first major global tour.

Manon previously went on ‘hiatus’ from KATSEYE, with her team citing issues surrounding her health and wellbeing. Then, last month, Sophia also announced she would be taking a ‘temporary hiatus’ for similar reasons.

That means just four of the group’s original six members have been carrying on with the UK and European dates of the Wildworld tour.

Either way, KATSEYE’s first major global tour is proving to be considerably more chaotic than anyone probably expected.

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