ADC

How to crack the scene

Iulia Teodorescu | Theatre
CAMBRIDGE

The 100% CERTIFIED secrets to success that everyone has kept hidden from you

How to spot a thesp

Iulia Teodorescu | Theatre
CAMBRIDGE

In case you’d ever miss one…

A freshers’ guide to Cambridge theatre

Iulia Teodorescu | Theatre
CAMBRIDGE

*disclaimer* does not include Pinter’s blessing

BREAKING: Footlights President resigns over BME concerns

Flora Bowen | News
CAMBRIDGE

Criticism over BME under-representation in Footlights shows led to her decision

REVIEW: The Producers

Isabelle Read | Theatre
CAMBRIDGE

Obscene, offensive, and downright hilarious

Confessions of the WannaBNOC

Ellie House | Features
CAMBRIDGE

The innermost thoughts of the big fish in your pond

Raise your hand if you’ve ever been personally victimised by rejection

Jamie Bisping | Column, Life
CAMBRIDGE

A cocktail of self-deprecation and anger? You’re not alone

REVIEW: A Very Brexit Musical

Andrea Kocsis | Theatre
CAMBRIDGE

Can Brexit stand between the lovers?

A Fresher’s Guide to CamDram

Meg Coslett | Column
CAMBRIDGE

It’s as easy as ADC…

REVIEW: The Resistible Rise of Arturo Ui

Daniella Cugini | Theatre
CAMBRIDGE

A rough-edged but arresting take on Brecht’s satire

REVIEW: Mojave

Phoebe Cramer | Theatre
CAMBRIDGE

An experiment that pays off

Review: Love’s Labour’s Lost

Grace England | Theatre
CAMBRIDGE

A true labour of love that will win your heart

REVIEW: The Man Presents – More Women

Martha Crass | Theatre
CAMBRIDGE

Sticking it to the Man: razor-sharp feminist comedy

REVIEW: Frost/Nixon

Lia Johansen-Villanueva | Theatre
CAMBRIDGE

Despite a technically glitchy start and a few dodgy accents, Frost/Nixon is a decent production of a compelling script.

ADC theatre to close for six months

Sam Ashbridge | News
CAMBRIDGE

The home of Cambridge theatre will undergo extensive renovation

REVIEW: Pearly Gates

Stella Swain | Theatre
CAMBRIDGE

It’s time to be judged…

REVIEW: The Language Archive

Andrea Kocsis | Theatre
CAMBRIDGE

Why don’t you understand me?

REVIEW: Much Ado About Nothing

Stella Swain | Theatre
CAMBRIDGE

A fresh take on Shakespeare that definitely paid off

REVIEW: And Then There Were None

Andrea Kocsis | Theatre
CAMBRIDGE

Fear and Loathing in Queen’s Fitzpatrick

REVIEW: Wife

Stella Swain | Theatre
CAMBRIDGE

Feminism is for life, not just for Christmas