The heartbreaking opening credits detail you missed in The Last of Us season two, episode three

It’s so sad


I am still not over that devastating death in The Last of Us season two, episode two. And whether we like it or not, the show is moving into a whole new chapter. With that comes a subtle, but crushing change in the opening credits of The Last of Us season two, episode three.

So, what changed?

The last of us season two opening credits

via HBO

At first glance, The Last of Us’s iconic opening credits in season two, episode three seem almost identical to what we’ve seen before: The camera moves through a changing, fungus-covered scene, with plants growing into ruined cities, and the names of the cast and crew slowly appearing through the overgrowth.

But there’s one major difference, and it lands like a punch to the gut.

The absence of Pedro Pascal’s name in the credits

The last of us season two opening credits

via HBO

The first thing longtime viewers will notice is the absence of Pedro Pascal’s name at the very start of the credits. It’s a stark reminder: Joel is truly gone. No more Pedro, no more rugged protector watching Ellie’s back. But the real heartbreak comes at the very end of the sequence.

Ellie’s silhouette remains

The last of us season two opening credits

via HBO

In previous episodes, after the fungal sprawl twists and coils, the camera pans out to reveal two distant silhouettes emerging from the landscape; meant to symbolise Joel and Ellie, standing together against the world. In episode three, only one figure remains. The smaller silhouette, Ellie, stands alone. It’s a subtle but devastating visual cue: Joel is gone. Ellie is now truly on her own in a brutal, broken world.

The last of us season two opening credits

via HBO

That final lonely image hammers home what season two is all about: Grief, survival, and forging your own path when your world collapses.

Joel’s death isn’t just an emotional gut-punch for viewers. It’s the event that reshapes Ellie’s journey entirely. She’s no longer the protected; she’s the fighter now. The one who has to figure out who she’s going to become.

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Featured image via HBO

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