Friel’s Dancing at Lughnasa offers a gentle yet moving portrait of an impoverished Irish family, says Jamie P. Robson.
The week 8 ADC late show Girls Like That follows a group of girls and explores the toxic, social-media dominated world we grow up in.
5 lesbians. 1 quiche. What could go wrong? Almost everything, Dani Cugini discovers, in this hilarious play.
Hannah Calascione’s show made Jonathan Ben-Shaul laugh, cry and left him completely breathless and wanting more.
Fresher director Eva O’Flynn discusses dealing with themes of rape and abuse of women in theatre on the International Day for the Elimination of Violence Against Women.
The Pembroke Players have crafted a flawed but undeniably fun production of an early Wodehousian gem, says Jamie P. Robson.
Luke was thoroughly impressed by this imaginative rendition of one of Gilbert and Sullivan’s most famous comic operettas.
Rosie Brown is gutted to discover that this isn’t a stage adaptation of the beloved Disney movie.
Dani Cugini decides that this warmly witty production is truly As She Likes It. (Get it? Get it? I’ll let myself out.)
Carine was told to have low expectations and to be ready to laugh at the freshers if everything else went wrong, but in spite of some errors she found this show a pleasure to watch.
Robyn Bellinger and Sayana Turpin-Aviram think ‘disturbingly funny’ sums up this refreshing production.
Mark Danciger thinks Killer Joe’s mix of laugh out loud humour and brutal violence makes for a thrilling production.
For everyone who’s ever thought ‘Gee, I wish my Nando’s Card worked for plays.’
Corpus playroom’s small theatre space lends itself to the intense feeling of claustrophobia in LAUNCH.
Molly O’Connor came to this show with high expectations and they were certainly met.
MOLLY O’CONNOR enjoyed the show with its impressive live musicians but feels a little more drama is needed.