JAMIE MATHIESON challenges his readers to fisticuffs and asserts an uncomfortable truth: Shakespeare isn’t cool.
Why do great plays so often flounder on film? What makes Amadeus better than Mamma Mia? Enter JAMIE MATHIESON.
AMY LONTON-RAWSTHORNE is completely submerged by a true masterpiece from the Footlights’ most newly famous alumni.
BEN ELLIOTT throws his popcorn in the air to salute the most blockbusting blockbuster of the year.
After a week of being distracted by totty, HOLLY STEVENSON finds new ways to distract herself.
Love her or hate her, the Iron Lady is everywhere. But NICOLA BARTLETT isn’t convinced.
New Year’s Eve is a second-rate Love Actually, according to ANNIE RAFF. And it doesn’t even have Hugh Grant in it.
Wide-eyed plucky young orphans, French stereotypes, and Sacha Baron Cohen slapstick: it can only be Scorsese’s new film, says JAMIE MATHIESON.
OSMAN RIAZ reviews bros Joseph Gordon-Levitt and Seth Rogen taking cancer comedy to the next level.
It’s week 8 – you’ve made it! Culture Editor HOLLY STEVENSON is here to guide you around the best events of the week, and give you a celebratory pat on the back.
HARRY SHUKMAN finds all the acting and script sucked out of the new Twilight installment.
Better than Red Bull or caffeine tablets, HARRY SHUKMAN finds The Awakening the best way to stop you from sleeping for a long time.
HOLLY STEVENSON picks the best cultural things to do this week. This week is all about comedy gigs, vampires and celebrities in jungles.
Was Shakespeare a fraud? Who cares, says ELLIE CHAN; the Anonymous still makes great watching.
Dying cats, skipping time, and talking moons come together in new indie flick The Future, reviewed by WILL STINSON.
In an attempt to counter act the Week 6 munchies, HOLLY STEVENSON is walking, cycling and jogging around Cambridge to find cultural things to do.
Harry Shukman