DOMINIC EDWARDS says stay for the second half but don’t open your eyes unless there’s a set change
DANIEL LEWIS interviews the directors behind the latest student opera before their show opens next week
DANIEL LEWIS developed something of a passion for this mystical production about the making of a saint
JOE BATES finds bum-pinchingly crude jokes of CUOS’s Figaro ‘most importantly very, very funny’.
JOE BATES laughed out loud at CUOS’s one dimensional Rake’s Progress, but worries it may have missed the point.
JOE BATES launches the new classical music column and tells you why Elgar’s Gerontius, the visit of Libor Pesek and an interesting marriage of Figaro and Facebook mean that Cambridge concert-goers are in for a treat.
JOE CONWAY enjoyed a production of Pelléas et Mélisande that was somewhat marred by clumsy and static direction.
Dominic Edwards
Daniel Lewis
Ruth Mariner