Review: Dragtime Presents: Cirque du Slay

Another smash from the well known drag group

REVIEW: Bastard

‘Bastard’ is a new play by Billie Collins encompassing themes of grief, loss, inner torment, and questions of identity and family

The Tab Masterclass: Playwriting

Once upon a time, in a land far, far away from our urban metropolis, there was a girl…

REVIEW: ETG’s Othello

‘Flipping brilliant’ is the note I gave myself to describe the opening moments of CUETG’s ADC home run of Shakespeare’s ‘Othello’, and by God did they keep it up

An ancient Footlight sagely reflects on the artiste’s life after Cambridge

Pondering the other side

Health and happiness vs. the ADC: A Showdown

The cult of Camdram perfectionism

Grindr Diaries – some thoughts

Men are trash – Freddy Legg, 2018

Tab Roundup: Michaelmas Theatre highlights

A term filled to the brim with variety and quality

Heard something you think
we should know?

We want to look into your case


REVIEW: The Bacchae

A glorious exploration of sexuality, liberty, and divinity

REVIEW: True Stories

A great concept which fell (very) flat

REVIEW: The Gingerbread Man

A festive treat

REVIEW: Sweeney Todd: The Demon Barber of Fleet Street

Do you prefer your meatpie bloody?

Il Signor Bruschino Review

An ‘opera-for-people-who-hate-opera’ (as well as for those who love it)

Review: Belleville

4.5 Stunning performances are too close for comfort

Review: Don Juan Comes Back From the War

“How obscenely decadent…”

Review: Angry Reacts Only

Lots of German electro references – but does the craft work? 3.5/5