This RoHo lecturer is up for an award for a film she shot on an iPhone X
It’s being announced at the BAFTAs
A lecturer from the Royal Holloway Media Arts department has been shortlisted for a film award.
Victoria Mapplebeck is a reader in the department of Media Arts, and has previously won numerous awards as a director and writer.
The film "Missed Call" is about the relationship between her and her son, while he finds his father, and has been nominated for the Arts and Humanities Research Council's Film Awards.
According to the Council, the awards aim to "showcase new and emerging talent in filmmaking linked to arts and humanities research and celebrate the best of a growing number of high-quality short films". They are prestigious awards for academics and filmmakers alike, the results of which are going to be revealed this Thursday at the BAFTAs.
Can you tell us a little bit about the film?
Missed Call is the first commissioned short documentary to be shot on an iPhone X and is a sequel to 160 Characters, my first smartphone short which was made for Film London.
Missed Call explores my relationship with my teenage son Jim, as we discuss how we’ll reconnect with his father who’s been absent for a decade. The film begins with the last email his father sent in 2006 and ends with the first phone call to him over a decade later. The photos, videos and texts archived in our phones, provide a road map of our digital past.
The film explores the ways in which we can collect, curate and share these digital memories, reflecting on how our lives are lived and archived via the phones we hold so close.
Its a very personal film and subject, why did you decide to make a short film about it?
When Jim hit 13, he decided he wanted to meet his dad and asked if I would make contact with him again. I had real doubts about whether this was a good idea but I felt Jim had every right to try, if he was ready. Missed Call is about us discovering whether he was ready, whether I was ready, Jim got there first.
Squaring the circle of being both filmmaker and parent made this one of the most challenging films I’ve ever made. There were a lot of sleepless nights. I was supported throughout by Amanda Murphy, the executive Producer who helped me navigate the many compliance and ethical issues we faced throughout production. Our aim with Jim’s dad was to preserve his anonymity and to protect Jim in an unfolding narrative which was uncertain all the way.
What does it mean to you to be shortlisted for an award like this?
I’m delighted to be shortlisted for this award . It’s an award which celebrates the art of filmmaking as a way of understanding the world we live in.
It’s great to feel that your work is reaching as wide an audience as possible. The AHRC Research in Film awards celebrate the impact universities have on everyday lives in the UK and beyond. The media attention that these awards generate also creates a platform to talk about the work and reach a wider audience.
What advice would you give to students, or recent graduates, about breaking into filmmaking?
No budget. No excuse: The gap between your idea and your final film has never been so small.
Use your smartphone like an artist uses their sketchbook. The best camera you own is the one in your back pocket
Look like an amateur, shoot like a professional. Smartphones enable you to shoot quickly and discreetly.
Make it easy to view and share your film. Get your film on as many platforms as possible.
Begin with an online launch. The festival first, then launch later timeline now feels out-dated. Most festivals don’t require premiere status in the way they once did. Maximise your exposure and put your film online as soon as possible to find your audience and extend your reach.
The AHRC awards will be given this Thursday at the BAFTA ceremony. Victoria's film is available to view here.
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You’re doing amazing sweetie
There’s so many other possibilities
Nothing from my lectures, obviously
Better look up the train times to Slough
No matter how loveable, their mess drives everyone else in the house crazy
She donates 15 per cent of the profits to Mind