LEYLA HAMID and CHLOE COLEMAN are blown away by a sparkling production of Williams’ classic.
Why do great plays so often flounder on film? What makes Amadeus better than Mamma Mia? Enter JAMIE MATHIESON.
Assured beauty, delicate and deep. A fitting appraisal from CATHERINE AIREY.
SUZANNE BURLTON notices the powerful but not obnoxious odour of veracity.
FLO CARR is unimpressed and confused by her trip to The Mumford