Prokofiev’s ballet is stunningly performed and incredibly moving.
ELOISE DAVIES talks to director Matilda Wnek about her hip, drug-guzzling modern adaptation of the Bard’s classic love story.
THE THEATRE GUIDE DOG barks out the winners of the GOLDEN PRIG awards, then falls to heel while you vote for the rest.
MATILDA WNEK finds a story of woe – but an inconsistent one – in an ADC production that hasn’t the vision to take its text all the way.
The newly-sceptered THEATRE GUIDE DUKE holds audience with the serfs of Cambridge and dispenses infallible wisdom ex cathedra.
PETER LEGGATT Calls for a plague on one specific house: “This play has a lot in common with a terrible, terrible night at Cindies”