This humorous show with Pembroke Cellars roots has not lost the sense of what originally gave the group so much charm.
Henry Nurick and Vineet Naik were left with mixed opinions after Full Frontal Prudity
Technical difficulties unfortunately handicap a talented cast, says Carine Valarche.
Robyn Bellinger saw huge potential in Great Expectations but felt the energy was lacking.
An imperfect but entertaining show that provides endless surprises, says Dani Cugini.
The History Boys demands a livelier production to match the scintillating wit of the script, says Jamie P. Robson.
An enjoyably dark one-act play with a stunning lead. Perfect if you fancy an exploration of education and violence – outside of supervisions, that is …
Jamie P. Robson chats to the brains behind the upcoming production of The History Boys about cross-casting, foreskins, and breaking the glass fourth wall
The Pembroke Players have crafted a flawed but undeniably fun production of an early Wodehousian gem, says Jamie P. Robson.
A bit like quinoa itself, this show was a hit and miss mixture of amusement, hilarity and awkwardness.
For everyone who’s ever thought ‘Gee, I wish my Nando’s Card worked for plays.’
LOUIS SHANKAR was impressed by this new writing from a group of freshers which shows promise, but doesn’t quite fulfil its potential.
CONSTANCE CHAPMAN comes away from her meeting with Bafflesmash feeling, well… baffled.
LOUIS SHANKAR is impressed by the performances in this chaotic but thought-provoking play.
Pembroke Player’s home leg of their Japan Tour demonstrates impressive acting, despite a sparse production
BRONTE PHILIPS is impressed with this performance that gives Shakespeare’s play new life in its use of tasteful slapstick.
“Three people waiting in a room – we don’t know where, why, who, or what for.” CHLOE COLEMAN and LEYLA HAMID try a strong dose of the surreal. And they’re not sure how much they like it.
JUAN ZOBER DE FRANCISCO and ALICE CARR could have found better sex and booze elsewhere on a Tuesday night, to be honest.