SAMANTHA BENSON enjoyed this funny and well-acted piece, even without really understanding the French
JOE BATES finds bum-pinchingly crude jokes of CUOS’s Figaro ‘most importantly very, very funny’.
JOE BATES launches the new classical music column and tells you why Elgar’s Gerontius, the visit of Libor Pesek and an interesting marriage of Figaro and Facebook mean that Cambridge concert-goers are in for a treat.
JOE CONWAY: ‘The characters played out their desires and deceptions in a dramatic form that approaches perfection and a score by Mozart that goes beyond it.’