New Year’s Eve is a second-rate Love Actually, according to ANNIE RAFF. And it doesn’t even have Hugh Grant in it.
Wide-eyed plucky young orphans, French stereotypes, and Sacha Baron Cohen slapstick: it can only be Scorsese’s new film, says JAMIE MATHIESON.
OSMAN RIAZ reviews bros Joseph Gordon-Levitt and Seth Rogen taking cancer comedy to the next level.
HARRY SHUKMAN finds all the acting and script sucked out of the new Twilight installment.
Better than Red Bull or caffeine tablets, HARRY SHUKMAN finds The Awakening the best way to stop you from sleeping for a long time.
JONATHAN SENIOR finds too many hangovers and not enough heart in Johnny Depp’s new film.
Was Shakespeare a fraud? Who cares, says ELLIE CHAN; the Anonymous still makes great watching.
Dying cats, skipping time, and talking moons come together in new indie flick The Future, reviewed by WILL STINSON.
WILL STINSON reviews Miss Bala and finds it without a plot, a script, and a half-decent director.
WILL STINSON checks out the chilling new child-massacre thriller starring Tilda Swinton.
HARRY SHUKMAN reviews Morgan Spurlock’s new documentary on advertising to see if it’s a match for Super Size Me.
JONATHAN SENIOR reviews Nazi-hunting kick-ass Mossad movie starring Helen Mirren and Sam Worthington.
WILL STINSON reviews controversial Dutch director Lars von Trier’s amazing new MELANCHOLIA
Harry Shukman