Cambridge Theatre

Review: How to lie and get away with it

Show business, baby.

REVIEW: London Road

A macabre sense of humour grips London Road

REVIEW: Cigarettes and Chocolate

Silence has never been so violent.

Review: Doppelgängers

Ghostly apparitions grace the Corpus Playroom

REVIEW: Simone’s Speaking Service

John Tothill’s remarkably funny character comedy returns to Cambridge to give you the life coaching you never knew you needed.

REVIEW: The Clinical Trials of Hercules

Apparently, medics can be funny too

REVIEW: Crimes of the Heart

Last night saw a criminally gripping tragicomedy at the Corpus Playroom.

REVIEW: Ubu Roi

Glitter, nudity, drag and a revolving shopping trolly. Brace yourself.

REVIEW: Teahouse

Jing Huang is impressed by the ADC adaption of the Chinese classic

REVIEW: The Cambridge Greek Play 2016

Thank god we have Lysistrata to make up for Antigone

Which Thespian Stereotype are you?

We all know one of them

REVIEW: Butterfly Effect

The flap of this butterfly’s wing doesn’t quite stir up the emotional storm it hopes to, says Jamie P. Robson.

REVIEW: A Little Night Music

Exam term blues are lifted with the ADC’s excellent adaptation of the classic musical.

REVIEW: Acting the Goat – A Sketchumentary

Beasts Gone Wild: this animalistic sketch show provides a wacky, wild and wonderful night out.

REVIEW: West Side Story

This fairytale of New York is as magical as ever.

Gender quotas would devalue Cambridge theatre

Fabricated diversity isn’t diversity.

REVIEW: The Fastest Clock in the Universe

Robyn Bellinger and Sayana Turpin-Aviram think ‘disturbingly funny’ sums up this refreshing production.

Turns out the Cambridge theatre scene is pretty fucking good

PHOEBE JAYES asked students at Oxford, UCL, Keele, Sussex, Manchester, Bristol, York and Kent about their respective drama scenes

Review: Jephtha

DOMINIC EDWARDS says stay for the second half but don’t open your eyes unless there’s a set change

How to sleep with a thesp

Be their date to the Tab Theatre Awards.