Anna Peel and Roxanne Armfield think that this classical music drama is too hot to Handel and they’d certainly go Bach.
Why do great plays so often flounder on film? What makes Amadeus better than Mamma Mia? Enter JAMIE MATHIESON.
LISE MCNALLY makes the wise decision not to plagiarise the Guide Dog and chows down on this show’s visual and theatrical sweeties instead.
The Theatre Guide Dog thinks this could be Cambridge drama’s lucky week. He’s been to Vegas. But dogs aren’t allowed in casinos, so make of that what you will.