{"id":1198,"date":"2025-03-19T19:00:05","date_gmt":"2025-03-19T19:00:05","guid":{"rendered":"https:\/\/thetab.com\/?p=462393"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-30T00:00:00","slug":"the-snarkiest-and-most-savage-reviews-of-millie-bobby-browns-new-netflix-movie-the-electric-state","status":"publish","type":"post","link":"https:\/\/thetab.com\/filmshrine\/2025\/03\/19\/the-snarkiest-and-most-savage-reviews-of-millie-bobby-browns-new-netflix-movie-the-electric-state\/","title":{"rendered":"The snarkiest and most savage reviews of Millie Bobby Brown’s Netflix film The Electric State"},"content":{"rendered":"

The new movie The Electric State is popping off on Netflix… but the reviews tell a very different story. The film currently has a whopping 15 per cent score on Rotten Tomatoes. Netflix reportedly spent $320 million on this project.<\/a> Yikes.<\/p>\n

In The Electric State, Millie Bobby Brown stars as an orphaned teenager in an alternate version of the 1990s filled with robots. For real. Chris Pratt is also in it, naturally. Here’s a round-up of the most brutal reviews for The Electric State.<\/p>\n

Wait, there was meant to be a plot?!<\/strong><\/h2>\n

I don’t think The Electric State will will any awards for creativity. Lots of critics complained the plot was too similar to other sci-fi movies, or was just plain dull.<\/p>\n

“It\u2019s neither funny nor exciting,”\u00a0 said a critic in The Hollywood Reporter<\/a>, “Like so many streaming originals, The Electric State<\/em> seems less a real movie than an imitation of one.”<\/p>\n

Nadine Whitney wrote in The Curb<\/a>: “Who cares? The cheque is in the bank and the audience\u2019s partial attention has cashed it. The Electric State isn\u2019t a movie, it\u2019s an experiment conducted on the audience to determine how much dross they\u2019ll tolerate.”<\/p>\n

Peter Bradshaw<\/a> said:\u00a0 “There\u2019s no soul, no originality, just a great big multicolour wedge of digital content.”<\/p>\n

\"the
This pic does not fill me with enthusiasm for the film
(Image via Netflix)<\/figcaption><\/figure>\n

The film is based on a popular 2018 graphic novel. Lots of critics were unimpressed with how much the film changed the source material. In the book, the heroine Michelle is a lesbian and suffers from brain damage. In the film, Michelle is a much more generic action hero.<\/p>\n

Kevin Maher said in The Times: <\/a>“If you\u00a0ever need a chilling illustration of Hollywood\u2019s crippling fear of originality just look at how screenwriters and regular Russo collaborators Christopher Markus and Stephen McFeely have gutted the Stalenhag book.<\/p>\n

He continued, “Glimpses of far more interesting material from the novella \u2014 mostly about the dehumanising aims of big tech \u2014 that perhaps unsurprisingly didn\u2019t end up in a Netflix film.”<\/p>\n

Millie Bobby Brown’s performance was not exactly praised<\/strong><\/h2>\n

The New York Times<\/a> compared her to “a stunned deer in headlights.” A ScreenRant<\/a> writer was “confused” by her American accent.<\/p>\n

“Eventually an actor has to commence acting,” said the Sunday Times, “Brown<\/span><\/span><\/span>, on the basis of her previous movies and certainly from the stilted shapes that she throws in this soulless sci-fi dud, seems profoundly ill-equipped in that one crucial department. She can pout and stare, and her cheek can hold, as it does here, a single glycerine tear to signify emotion. But honest, expressive, big screen acting?”<\/p>\n

\"the
Millie Bobbie Brown is gorgeous but this is objectively not her best hairstyle
(Image via Netflix)<\/figcaption><\/figure>\n

Other critics complained her performance was just rehashing her work in the Godzilla films and as Eleven in Stranger Things. To be fair, it’s not Millie Bobby Brown’s fault that Hollywood keeps casting her in the same types of roles.<\/p>\n

Nobody understands why Netflix spent so much money on it<\/strong><\/h2>\n

“While it looks like it cost a fortune, it feels like pennies were spent on the story,” says the review in City AM<\/a>, “A soulless trudge of a sci-fi road-movie, anything interesting is avoided in favour of limp gags and CGI ornaments. Is it the most depressing category of filmmaking: a movie designed to be empty other than the occasional moments of spectacle that make you look up from your phone.”<\/p>\n

The Electric State is on Netflix now.<\/em>\u00a0For all the latest Netflix news, drops, quizzes and memes\u00a0<\/i>like The Holy Church of Netflix on Facebook.\u00a0<\/i><\/a><\/p>\n

Feature image via Netflix.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

‘It\u2019s an experiment conducted on the audience to determine how much dross they\u2019ll tolerate’<\/p>\n","protected":false},"author":7,"featured_media":982,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34],"tags":[4,102,12],"coauthors":[20],"class_list":["post-1198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-film","tag-millie-bobby-brown","tag-netflix"],"acf":[],"yoast_head":"\nThe snarkiest and most savage reviews Netflix's The Electric State<\/title>\n<meta name=\"description\" content=\"Here's a round-up of the most brutal reviews for The Electric State. 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