Caroline Gaunt braves the North Eastern ‘summer’ to experience Thrust Stage in action.
Caroline Gaunt is plunged into a world of ’emotion, immersion and pretention.’
Caroline Gaunt enjoys Green Door’s epiphany production.
Comedy, tragedy and an incredible score – Caroline Gaunt reviews
Caroline Gaunt is underwhelmed by ACT’s production.
Caroline Gaunt enjoys new writing from Dom Riley, Timmy Fisher and Nick Waskowycz
Caroline Gaunt watches as Ooook productions do battle with a restrictive script.
Caroline Gaunt enjoys a trip down memory lane with Tone Deaf Productions
The resulting production needs a lot more polish before it can be truly enjoyed by its audience.
Caroline Gaunt sees the recent production if Hamlet stuck between classic and modern adaptation.
Caroline Gaunt finds an unsuccessful attempt at unconventionality for Hild Bede’s latest play.
Caroline Gaunt has strong praise for DULOG’s latest play.
Caroline Gaunt hails one of the most immersive plays so far